blythely: A print by Barbara Hepworth (Default)
Sewing
Worked a little more on the current dress project on the weekend, but I was VERY slow. C took a while to decide if she wanted proper long sleeves or just long short sleeves, as the pattern has different shapes. We went with the long sleeves, but because I was worried about not having enough fabric I hadn't cut out pockets, plackets and belt until the Sleeve Decision was made. So instead of sewing it was mostly catch-up with the cutting out and interfacing.

I did do the placket, and wish I had gone with my gut about construction rather than followed the pattern instruction, as their version was messy and I'll have to do  bit of handwork to get it tidy on the inside. I don't mind, I'm not in a rush, but I do like to be efficient. I could unpick, but it's lightweight viscose, and too much handling won't be good.

DIY

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blythely: A collection of hasberdashery notions (haberdashery)
I am SO happy with this shirt. I had lots of fun making it, yes even with easing unforgiving cotton into the armscye. The collar is just *chef's kiss* in proportions and I happily found some lovely brass buttons to give it that "western" look. Even when I had to resort to tailoring topstitching to finish off the sleeve seams for no raw edges, it made me happy to know this shirt had been a labour of love.

And it looks great on me - can't remember the last time a shirt fit me in the sleeves AND the shoulder AND wasn't too fitted or too loose.



Next project is a summer dress for the missus. A viscose/cotton blend print with lots of gathering and I'm going to improvise a lining, continuing my theme of "no I shan't follow the instructions, you can't make me".

Would love to make this shirt in denim or flannel with a contrasting topstitch and yoke, but I'd want it in black and grey and I am tired of sewing dark colours for now.

Tailoring course continues too. Dart-making and shaping on the waistcoat last week and I think this week we start the pockets.


blythely: A print by Barbara Hepworth (Default)
(Bah, whole post got eaten!)

The short version: Two new projects completed.

The ZW shirt in purple viscose came out much nicer than I thought it would. C had the great suggestion to sew up the placket rather than risk puckers from buttonholes and I'm pleased I took her advice. Can't wait for warmer weather. I know what I'd do with this pattern next time, and I can use it as a dress base too.

I remodelled a dated and moth-nibbled 100% wool Vilene shift dress into a pencil length relaxed midi skirt. Managed to remove the full-length lining with invisible zipper so that's tucked away for other projects (too big for me). I used the unnibbled bodice for a waistband and a lined sleeve for a feature pocket, and did a wide elastic waist. I relined it with new lining--ordered "petrol blue" which looked much darker online, but hey-ho, it's not a terrible coloour and it's a cute flash at the back-slit. Exactly the kind of "weekend skirt" you want in winter to wear with tights and a jumper, but being wool it'll work for all but the hottest summer days. With new elastic, poly lining and the cost of the dress the whole skirt came to £13. AMAZING.

I love wool. What an amazing fabric.

Have had no patience to take proper photos (also the light is very bad this week) but here are a couple placeholders below the cut.
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Next project is underway - V1966 western-style shirt in William Morris-style fabric. Being from 1975 the pattern is helpfully constructed so an overlocker isn't necessary - lots of flat-felled seams and self-facings. I think the only thing I'll have to change is the armscye; the pattern has a lining (it's a "jacket" shirt) which hides the raw seams there, but I can either give felled seams a go or use some binding. So much is possible with commerical 1.5cm seam allowances!

Then after THAT I'm making a summer dress for C but she's still deciding on patterns, so if I finish before she gets there then it's a new pair of PJs for me as I have shrunk a cotton gauze PJ top in the dryer by mistake (*cries in BIBA*)

blythely: A collection of hasberdashery notions (haberdashery)
Just a little update -- despite wanting to crack on with projects (back to the purple blouse and a new pair of PJs) -- I just made Circe a pencil case today with some leftover fabric from her jacket. I butchered a 50p cosmetic purse from the charity shop (so the zipper has a fancy Clinique zipper pull) and lined it with a nice contrasting geometric bit of quilting cotton. For batting I used some craft felt. I tried to buy 5 pieces of felt a while ago from Amazon and instead bought 5 packs of 10 pieces, but it's a nice stiffness for a pencil case so yay!



I followed a helpful tutorial that used a burrito method so there was no internal stitching - very clever!

In other news I finally bought Vogue V1966 for the cowboyish shirt pattern despite dithering for weeks between it and other 70s style. Most of the Western-style shirt patterns available nowadays just don't have the deep collars that I love. I nearly went for McCalls 3705 but couldn't find it from a UK seller in my size. And the Vogue pattern has groovy trousers. Going to make this in a Morris print first, then see how it hangs and try denim.


blythely: A collection of hasberdashery notions (haberdashery)
After three separate tries at the waistband (the final attempt involved going from a high waist to a mid-rise to make it all work), and a great deal of eyestrain from handstitching black on black in the evening, the trousers are done. I'm super happy with them. The fabric is gorgeous lightweight wool and they're exactly the style of slouchy mannish normcore trousers I wanted.

I learned so much while doing them, and have become a massive convert to basting rather than pinning. I have a temporary hook and eye on the back zipper until I work out what the final closure will be; maybe a ribbon loop and feature button, but there's no rush to decide.

I would absolutely do this again if I find quality men's trousers in charity shops. The trade-off between retaining some shape, or seams, or even overlocking; and having to work around pre-existing components, is a tricky one, and so I will try to find larger sizes next time in order to just work with the fabric. I think if I had not tried to incorporate the pockets I would have found it much more straightforward.

Having said that I do have another charity shop remodel - a lovely brown/red textured wool check blazer. It's about four sizes too big for me in the shoulder and sleeves, but because the style was fitted, relatively good proportions in the body. I haven't been able to find tutorials that address what I want to do specifically, so I may take it into the tailoring tutor to get her opinion.

I think with the sewing and second-hand exemptions I could probably do the "only buy five new pieces of clothing per year" thing in 2024. As long as it excludes underwear and sports gear, because I need a whole bunch of new knickers and my workout gear is for the significantly smaller me of 2019. Maybe running will help with problem (b) but problem (a) has no reasonable solution apart from new undergruds!
blythely: A collection of hasberdashery notions (haberdashery)
Yesterday's plan to make as much progress as possible on trousers was scuppered when I ran out of black thread. Circe laughed a lot--how could anyone run out of black!! I suppose she is right.

So instead I cut out the fabric for my madras check skirt, no biggie. And today went to the (local independent) craft shop to get more thread. Somehow I spent £70 there -- new Fiskars pinking shears the major cost culprit, but an embrodery hoop and some coloured pencils and other haberdashery also fell in the basket.

Got home, all gung-ho to get going and unwrapped the thread and it is ... thicc. I think it is mislabelled top-stitching thread, or something. Wayyyy too thick for my needle and definitely would be terrible with the trouser fabric. So no biggie, I think, I'll switch to the skirt project. I motor on with for a bit, get the zip in place, try it on and hmmm. I think the fabric just does not have enough drape, or the double-layer construction just adds too much structure. I'm not loving it, which makes me sad because I did have a ~vision~. So I've stopped and will contemplate: whether to continue, or whether to use the fabric in one of the tote bag patterns that [personal profile] lazulus introduced me to.

Sewing does instil a particular kind of thoughtfulness and willingness to stop drop and reconsider. I just did not have the patience for this kind of setback when I was younger - if I couldn't get a project finished in a weekend I lost my mojo so easily. But I feel very chill about this - I haven't gone so far that I can't repurpose the fabric, but maybe I'll rethink it on another day.

Last thing: I came across the Royal Society of Needlework's Stitchbank It is AMAZING!

blythely: A collection of hasberdashery notions (haberdashery)
This week was more structured. Tutor L started with a recap and went through her own student portfolio.
  • Tailors tacks for markings: finally demystified. I've never understood. It's all to do with the fluffiness of the basting thread "sticking" to the weave of the fabric! So of course my 100% polyester tacks usually fall out.
  • We used the industrial machines to practice by-eye even seam allowances and turns. I have pretty good spatial judgement so all that was fine, but I have discovered I have to be careful not to do too much repetitive machine work because it sets off my vertigo (no I don't watch the needle).
  • Basting on turns vs lines, more slip-stitching practice, and KIT DISCUSSION. Like I needed an excuse to buy more haberdashery, lol. Actually I had virtually everything already and I don't get on with heavy tailor's shears no matter how beautiful they are, so the only things I really need are pinking shears and thimbles without nickel.

Bought my fabric for the waistcoat that we'll make - gorgeous Italian wool flannel called "Tuscan Evening". You can't really tell in the photo, but it's a super-subtle black and blue check.

Hoping this weekend to make some good progress on the trousers I'm remodelling - after many adjustments and fittings I think I've got the combination of new side seams, back seam and darts all balanced. Fitting on oneself = tedious, but I really want to be wearing these trousers!

blythely: A collection of hasberdashery notions (haberdashery)
My tailoring course started this week. First impressions were promising: a very like-minded and enthusiastic group of other learners, and the tutor is an experienced tailor and passionate about the craft. As always with adult education, I have Opinions on how classes are (usually poorly) structured and learning takes place (haphazardly and by being insistent) but I keep them to myself and go with the flow. We spent the first session on introductions, talking about the trade, and doing some basic handstitching. Handsewing is not my best skill and it will take a while to get up to speed, especially with middle-aged eyesight.

Meanwhile in my own home sewing adventures! I've finally found a decent fabric & haberdashery store (Mark Pickles in Bath; the worst website, as is par for the course for any art or craft site). Bought a fabulous abstract print for a summer dress, and an Arts&Crafts-style floral on black to make into a Western shirt. I am eyeing this vintage Vogue pattern for the shirt to make up in the floral (plus I love the trousers), does anyone have any experience with it - or with other Western-style shirts??

I have three projects on the go at the moment:

(1) A Zero Waste blouse that I'm making in a lovely royal purple viscose remnant. You can see the chalking out of the pieces from the rectangle below.



I tried getting clever and bias-binding the armholes, which looked beautiful, but added too much stiffness to the shape to be flattering: I am broad shouldered in proportion and don't need more!. So I've taken it off and just zigzagged the armholes for neatness, but there's still quite a bit of seam stiffness that I'm hoping will go away when the thread is washed. We'll see!

I don't love this pattern. I love the idea, but the ZW concept means using up small pieces in patchwork-like ways that aren't my thing, so I am doing it a bit differently.

(2) An asymmetric skirt (Simplicity 9648) in this (excuse the dreadful hotel room lighting) sort-of madras lime-pink-red wool-blend check that I found in a costume shop in Durham for a fiver a metre. At that price I can't complain that it's a blend. I bought squeakingly just enough fabric--in fact, ten cm too little, but if I use the selvedge I can make it work. I'm tempted to try and line it but I should also just make something according to the pattern, lol. I can always wear a slip*.

(3) Remodelling a pair of 100% wool flannel Pierre Cardin men's trousers, dug out of a bargain bin at a charity shop for literally one british pound. I couldn't believe my luck. The fabric is gorgeous, lined, and I managed to unpick the waistband and fly-front completely, leaving enough intact fabric for a proper remodelling.



It's challenging, though, and because I wasn't paying attention properly today I cut at the wrong place and won't be able to have side pockets. Things I learned in this process? Men's zippers go a lot further down to enable wang extraction. You can know a thing, and then you can unpick a zipper to know a thing.

* Slips. Why. WHY are these so hard to find in plain and simple yet nice styles that don't cost the earth but also aren't from fabric that is highly flammable and/or give me eternal static? M&S make very boring acceptable ones but I'd dearly love something a bit more glamorous without it being A Thing To Have Sex In and full of scratchy lace.
blythely: A print by Barbara Hepworth (Default)
My dressmaking course finished this week. It was a 12 week evening class and the fastest two hours in each week. Doing something material always makes the time pass quickly - gardening, pottery, cooking, sewing - there's something Einsteinian about the rearranging of matter and it's relationship to time.

It was a good course - very knowledgeable tutor. Though I think she was slightly baffled by me being all "let's start at the beginning, I forgot what a needle is" and then a few weeks later clearly having plugged that module of the Matrix back in to my brain, and making four garments when others were just finishing the first.

So I was just hovering over the catalogue about whether to do another term with a different tutor (who runs an all-levels drop-in situation), when the other local art college popped up on my instagram with an "introduction to tailoring" course. I am really interested in learning more bespoke and pattern-drafting techniques, pretensions to couture and all that. I spoke with the college at lunch and asked if the tutor could send me more details - from the course description I wondered if it would go at a very slow pace (50 hours for a waistcoat?) WE SHALL SEE.

I also just realised (because I am always dumb about things like this) that subconsciously I was always heading here; one of the OCs that Circe and I have in our verrry slowly emerging socialist wish-fulfillment cosy-fantasy is a tailor. Haha, me.
blythely: A collection of hasberdashery notions (haberdashery)
I am not one to dither once I have made up my mind I want to do a thing, so I bought a new sewing machine on the weekend.

As always, one can do The Research and watch all the videos (shoutout to The Sewing Studio for very helpful machine guides), and then actually confronted with the physical objects and the expertise of the vendors, make a different choice. So I have a Janome DKS100, which is an electronic mid-range machine, and came with some nice extras on special offer (knee lift, table extension, walking foot) which have already been useful.

Janome sewing machine

Mahoosive step-up in fine control from my old mechanical, but not so bells-and-whistles as to overwhelm. I'm making an unlined jacket at the moment and using bias binding to conceal and bind the inner seams, so the ability to go slow and precise is so helpful. The precision has also been helpful in extending the life of this sweatshirt, which had an annoying stain on the front. I'd been looking for a use for this crochet doily, which my mum made as part of her wedding trousseau if you can even believe it. It fits so well on the front! I absolutely love lace as a technically skilled textile of gorgeousness, but it's not really my vibe to wear. I think this is a perfect compromise.

White sweater
blythely: A collection of hasberdashery notions (haberdashery)
I'm taking a dressmaking course (week 9 of 12 at the moment) to revive my sewing skills. My mum taught me to sew as a child/teenager, and I'm only just realising how much of a proper dressmaking apprenticeship I had from her. There is a lot of muscle memory, dormant terminology, and know-how packed away in my brain that comes out every week, and I'm very grateful for it!

I love clothes, always have, and seriously, one of the joys of finally earning a decent income in my 40s is being able to be very picky and buy good clothing. I just wish high-street/designer fashion hadn't taken such a nose-dive in quality. That's been part of the reason for returning to sewing; that, and feeling like a loser taking trousers to a tailor for alterations when I know I can do it myself.

I have a just-passable machine courtesy of my MiL, and so far I've made a skirt, a pair of PJs, and some drill trousers. For these trousers I used The Assembly Line's High Waisted Trousers pattern (my GOD patterns are expensive). Fabric was a 100% cotton herringbone twill from the local Fabricland (which is 85% terrible polyester most of the time, but at £4 a metre this was a bargain. The pockets and waistband lining were from Nutex, a New Zealand fabric company that sell through Oh Sew Crafty.

(Click the pix for bigger)


The pattern was straightforward, though I was relieved to get the fly zip in on the first go. I practiced about five buttonholes before finally getting the gumption to do the one on the actual waistband! I'm really happy with them; the fabric is a little crisper than I would ideally like (but again, £4 a metre) and I can't wait to find a nice wool crepe to make another pair in.

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